Nov.
11, 2006
Teatre Circo de Braga, Portugal
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In a hotel, way up on a hill,
surrounded by centuries-old fortified walls replete with cannons,
we sipped Vinho Verde with dinner and looked out on the city lights
below. Inside the walls the gardens are sculpted and manicured.
This Portuguese fairy-tale, compliments of our wonderful promoters,
Luis and Ricardo is I believe part of their plan is to show us
special hospitality but also to give us a glimpse of a magical
Portugal impossible to resist. The first concert was in the old,
newly refurbished Teatre Circo de Braga. As you can see from the
photo, the theatre is gorgeous.
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Nov.
12, 2006
Aula Magna, Lisbon, Portugal |
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The next night in
Lisbon, Keith Jarrett was playing his first concert ever in Portugal;
two concert halls, both full of music fans. I wonder how many cities
could support this. The PBQ played about half new material from “Mythologies” as
well as some standards. We’re trying a new arrangement of “Oleo” that
I threw together at soundcheck. So far, the guys sound great on
it, but i’m still finding my way. Eric in particular is playing
some unusual sounds on this... He seems to be playing all the hardware
of the drumset... the nuts and bolts.
As I write this, we are the road to Spain continuing the “Mythologies Tour,” and
our trip to Portugal was wonderful, wonderful. |
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November
8,
2006
Blue Note, Milan, Italy
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The club is beautiful.
Sometimes that's not enough.
Glad to leave. |
November
5 & 6,
2006
Press Trip - Paris, France
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If I ever thought
that traveling and performance was hard, I hadn't really seen
what my friend Muriel can do with press in France. She had me
doing 9 hours straight of radio and TV the first day and the
same the second day plus a flight in the evening to Milan.
Easy to photograph Paris . The most beautiful city in the world. |
MYTHOLOGIES EUROPEAN TOUR '06
October
13, 14, 2006
The Zanzibar Blue - Philadelphia, PA
Philadelphia.
The new New York? And Boston claiming the title of intellectual capitol?
Chicago with all the new theatres, a hot center for the arts? All
these other cities we've visited, they feel so very alive. Does New
York feel a little like Venice? Is this the change in demographic?
Is it a coincidence that one of my very own execs at Blue Note NY asked
me about public schools and affordable housing in Philadelphia and
Chicago? Anyway...
The Zanzibar Blue is one of the truly integrated
jazz clubs in the US. That speaks volumes for the city of Philadelphia
and for the club itself. The club is an elegant place situated in
the heart of an elegant and historic city. From the Avenue of the
Arts, you step down into a black and red designed dinner/jazz club
full of activity. The walls are black wood paneling against which
are highligted black and white photos of jazz musicians throughout
history. Michael Arnopol played a brilliant bass solo on "Use
Me," a crowd favorite. I plan to be able
soon to clip these pieces of music and post them here for you to hear.
Here is a photo of Jelly Roll Morton. Great food, great music, great
place.
October
10, 11, 2006
Triple Door - Seattle, WA
The
Triple Door is one of the most elegant venues I've ever seen in my
life. The proscenium is a work of art unto itself. Seattle is extremely
sophisticated and unlike so many cities we go to, it seems financially
and culturally robust from the waterfront through the downtown. We
had great crowds on both Tuesday and Wednesday. But the best thing
about Seattle this trip was seeing my best friend Julie and her wonderful
kids Luise and Henry, all dressed up for the show. I wish the Triple
Door a long life; music deserves framing like this.
October
7, 2006
About
San Francisco
We
love San Francisco and have always had wonderful concerts there...
At the San Francisco Jazz Festival, at Herbst Theatre, at Bimbo's,
at Yoshi's. We are getting questions and some explanation should
be given for our cancellation of the concert in San Francisco. Our
soundman, Jay Ten Hove is one of the best in the music business.
He can conquer any room, rewire a room if need be or master the unionized
classical soundscapes at places like Carnegie Hall and Symphony Center.
He is an integral part of our quartet as you can see by the caption
on the photo of Jay that says, "Jay is God."
Jay was having problems with the sound equipment that was being offered to us
at this venue. He didn't feel that he could work with it. We wouldn't sound good.
Music is about sound. Its everything. So if Jay is uncomfortable, that's that.
I apologize to the fans who already bought tickets and I'm sure we'll be back
soon. Thanks for your concern.
Love, Patricia
October
6, 7, 2006
The Vault - Long Beach, CA
What
an amazing club this is!... I love, love, love this piano! For a
pianist, this can be everything.. Unlike other instrumentalists,
pianists have to try to make music with whatever piano is on the
stage... Rarely in clubs does one find such a piano. It is a new
Yamaha Concert 7 ft. regulated perfectly as the jazz concert piano.
The jazz room in The Vault wasn't finished for us when we arrived..
There are construction delays, so we are playing in the HUGE capacity
rock room.
Well, our LA music fans do not fill the room as others would for Sting,
but they more than make up for that with enthusiasm. This PBQ, the
Patricia Barber Quartet, is coming into its touring form. Sometimes
I believe I can recognize the moment when the four of us operate as
a unit, musically, emotionally, professionally and I think its happening
this weekend in LA. We had some time between sets so I took some photos
of the band. Here we are as I introduce us nightly: from stage left
to right- Eric Montzka, Neal Alger, Michael Arnopol, Patricia Barber
October
5,
2006
Humphrey's By the Bay
- San Diego, CA
Tonight
in the middle of Neal's brilliant wah-wah solo section on "The Moon" I
was sitting, hands off the piano, listening... resting just a few
minutes before joining them with some comping.
Michael was playing electrifying electric bass and Eric was being the
innovative
drum star he's become, and I had a flashback. THIS is the kind
of music that brought
me to jazz. Chick Corea's "Return to Forever" made me decide
to choose jazz instead
of classical music as a career.
The photo: This place is beautiful. Our hotel, gorgeous....
We have the ocean
outside our window on both sides. |
September
16, 2006
Mythologies Concert
Buntrock Room at The Symphony Center - Chicago, IL
This
was just a dream come true. The venue was too small for us...
Unfortunately people were turned away at the door, but other
than that, we had a wonderful time. Shelby Webb Jr. and Choral
Thunder are like angels carrying me to a better place; once they
start singing i can feel strength coming back into my limbs.
The 'kids,' who sing on "Phaeton" are not kids anymore.
They, Lawrice Flowers, Mitchell Owens and Airreal Watkins, are
gorgeous and dynamic young adults who sing and dance like Greek
gods and goddesses. Lawrice sings the verse to "Persephone" more
beautifully than I ever could and Grazyna and Paul make the chorus
of "Persephone" just
one big George Michael fun-fest.
Jim Gailloreto on saxophone played brilliantly in concert as he
does on the recording and mostly, my quartet, Michael Arnopol on
bass, Neal Alger on guitar and Eric Montzka on drums, kept the
entire concert centered. Thank you to all of you. As a composer
it is a pleasure to hear your compositions realized in a way that
is better than you originally imagined them. I will never forget
this concert and this night. Thank you to all of you.
Photos will be added as we have them.
September
12 &13, 2006
Dakota - Minneapolis, MN
The first night we had sound
problems. After a few awkward moments, an old plate reverb system
was hooked up. As my voice sounded 1963 to me in my monitors,
everything ended up sweetly 1963.... The set list, meters and
chords were all put into service toward this aesthetic. The band
was brilliantly adaptive and we were all very smooth and summery.
The second night was much more what I have come to expect from this great and
elegant club in Minneapolis. A wonderful two sets, a wonderful audience, a wonderful
meal afterwards with wonderful staff.
The photo is from the ensuing insomnia. No particular reason I couldn't sleep...
One can examine the espresso before the set or worries about other things...
(Is there a lighting grid for this weekend's concert at Symphony Center?) This
is just one of many midnight insomnia mirror shots. I believe I am building a
lifetime chronicle. I have mirror insomnia shots going way back to NY, Seattle,
Brazil, Spain, France... This is insomnia in Minneapolis.
September
1,
2006
Jazz Standard - New York, NY
As
we start the "Mythologies" tour, do people in the
audience wonder why there are a surprising amount of songs with
Greek mythological character references. Sometimes I explain myself,
most of the time I don't. Imagine if you'd never heard jazz before....
you stumbled in after work for a drink.... you might think that
jazz is an Ancient Greek music.
I miss my ensemble, the choir, the kids, the male and female singers,
Lawrice Flowers on the verse of "Persephone".. I miss
those pieces of the song cycle...."Persephone," "The
Hours," "Phaethon."
First two sets in NY:
The Moon
S'Wonderful
Milestones
Hunger
Caravan
Morpheus
Norwegian Wood |
Bumper to Bumper
The Moon
Inchworm
Orpheus
Witchcraft
Icarus
Whiteworld |
August
7, 2006
Green Mill - Chicago, IL
Monday
night... It was crowded our last-night-in-a-long-time at the
Green Mill. My drummer Eric Montzka was on fire, obviously
getting ready to tour and play big venues. There are no
dressing-rooms at the Green Mill. I can be claustrophobic
so because of the crowds there, after the set i try to get from
the stage to the door and outside as quickly as possible. For
some odd reason, I can sign CDs before a set, but not after...
After the set I need to get away fast. A woman stepped
in front of me as I was making my way, head down, toward the
door. I
tried to squeeze by her but she planted her feet and yelled,
"I got divorced because of you!" Everybody was curious,
so was I. T urns
out she took quite literally my lyrics for "The Fire," and as
there was no passion left in her marriage, she divorced her husband. This
was less flattering and more frightening than I expected. My
songs are fiction, not advice.
There is not enough summer left before the Mythologies tour
onto which a city is added daily. I will have to circumscribe
it soon.... put a stop to it. Perhaps plant my feet and yell. It
works.
July
20, 2006 - Teatre Mzyczny, Gdynia, Poland
July 22,
2006 - Mt.
Gretna, Pennsylvania
This
is not the way most people travel, but we had booked Pennsylvania
before we got a very nice offer from Poland. We decided to do
both. We left Chicago, traveled to northeast Poland, ate seafood
and drank wine that first jetlagged night at a hip cafe at the
side of the black
Baltic Sea, did a television interview and filmed concert the
next night in a lovely venue.. shown here in a photo with Jay
setting up the stage.
The next day we flew back to Chicago, stayed that night at the
O'Hare Hilton as there wasn't time to do anything but quickly
eat and sleep, jumped on a flight the next day to Harrisburg
Pennsylvania and did an outdoor concert in a beautiful country
spot called Mt. Gretna.
It was very hot and humid. The string instruments were rising in pitch because
of the humidity so by the end of the concert, i was singing in a different key
from the instruments which were one half to one whole step higher. So, so hip...
July
5th, 2006
Montreal
This
is a photo of the stage at the end of soundcheck looking from
my vantage point at the piano.
You can see the line of beautiful string instruments in a row and
lit by rose stage lighting and just behind is the monitor booth.
This is where the monitor man sits and can make sound adjustments
during the show; i can see him clearly, but he is completely hidden
to the audience.
One has to love these nooks and crannies about theatres, architectural
aids designed to assist the performers in creating magic.
We played two sets to an enthusiastic sold-out audience in Montreal
and had a wonderful time, as always.
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