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Nov. 11, 2006
Teatre Circo de Braga, Portugal

In a hotel, way up on a hill, surrounded by centuries-old fortified walls replete with cannons, we sipped Vinho Verde with dinner and looked out on the city lights below. Inside the walls the gardens are sculpted and manicured. This Portuguese fairy-tale, compliments of our wonderful promoters, Luis and Ricardo is I believe part of their plan is to show us special hospitality but also to give us a glimpse of a magical Portugal impossible to resist. The first concert was in the old, newly refurbished Teatre Circo de Braga. As you can see from the photo, the theatre is gorgeous.
     
     
Nov. 12, 2006
Aula Magna, Lisbon, Portugal
 
     
The next night in Lisbon, Keith Jarrett was playing his first concert ever in Portugal; two concert halls, both full of music fans. I wonder how many cities could support this. The PBQ played about half new material from “Mythologies” as well as some standards. We’re trying a new arrangement of “Oleo” that I threw together at soundcheck. So far, the guys sound great on it, but i’m still finding my way. Eric in particular is playing some unusual sounds on this... He seems to be playing all the hardware of the drumset... the nuts and bolts.
As I write this, we are the road to Spain continuing the “Mythologies Tour,” and our trip to Portugal was wonderful, wonderful.

November 8, 2006
Blue Note, Milan, Italy
The club is beautiful.
Sometimes that's not enough.
Glad to leave.

November 5 & 6, 2006
Press Trip - Paris, France
     
If I ever thought that traveling and performance was hard, I hadn't really seen what my friend Muriel can do with press in France. She had me doing 9 hours straight of radio and TV the first day and the same the second day plus a flight in the evening to Milan.
Easy to photograph Paris . The most beautiful city in the world.


MYTHOLOGIES EUROPEAN TOUR '06

October 13, 14, 2006
The Zanzibar Blue - Philadelphia, PA

Philadelphia. The new New York? And Boston claiming the title of intellectual capitol? Chicago with all the new theatres, a hot center for the arts? All these other cities we've visited, they feel so very alive. Does New York feel a little like Venice? Is this the change in demographic? Is it a coincidence that one of my very own execs at Blue Note NY asked me about public schools and affordable housing in Philadelphia and Chicago? Anyway...

The Zanzibar Blue is one of the truly integrated jazz clubs in the US. That speaks volumes for the city of Philadelphia and for the club itself. The club is an elegant place situated in the heart of an elegant and historic city. From the Avenue of the Arts, you step down into a black and red designed dinner/jazz club full of activity. The walls are black wood paneling against which are highligted black and white photos of jazz musicians throughout history. Michael Arnopol played a brilliant bass solo on "Use Me," a crowd favorite. I plan to be able soon to clip these pieces of music and post them here for you to hear.
Here is a photo of Jelly Roll Morton. Great food, great music, great place.

October 10, 11, 2006
Triple Door - Seattle, WA

The Triple Door is one of the most elegant venues I've ever seen in my life. The proscenium is a work of art unto itself. Seattle is extremely sophisticated and unlike so many cities we go to, it seems financially and culturally robust from the waterfront through the downtown. We had great crowds on both Tuesday and Wednesday. But the best thing about Seattle this trip was seeing my best friend Julie and her wonderful kids Luise and Henry, all dressed up for the show. I wish the Triple Door a long life; music deserves framing like this.

October 7, 2006
About San Francisco

We love San Francisco and have always had wonderful concerts there... At the San Francisco Jazz Festival, at Herbst Theatre, at Bimbo's, at Yoshi's. We are getting questions and some explanation should be given for our cancellation of the concert in San Francisco. Our soundman, Jay Ten Hove is one of the best in the music business. He can conquer any room, rewire a room if need be or master the unionized classical soundscapes at places like Carnegie Hall and Symphony Center. He is an integral part of our quartet as you can see by the caption on the photo of Jay that says, "Jay is God."
Jay was having problems with the sound equipment that was being offered to us at this venue. He didn't feel that he could work with it. We wouldn't sound good. Music is about sound. Its everything. So if Jay is uncomfortable, that's that. I apologize to the fans who already bought tickets and I'm sure we'll be back soon. Thanks for your concern.
Love, Patricia

October 6, 7, 2006
The Vault - Long Beach, CA

What an amazing club this is!... I love, love, love this piano! For a pianist, this can be everything.. Unlike other instrumentalists, pianists have to try to make music with whatever piano is on the stage... Rarely in clubs does one find such a piano. It is a new Yamaha Concert 7 ft. regulated perfectly as the jazz concert piano. The jazz room in The Vault wasn't finished for us when we arrived.. There are construction delays, so we are playing in the HUGE capacity rock room.
Well, our LA music fans do not fill the room as others would for Sting, but they more than make up for that with enthusiasm. This PBQ, the Patricia Barber Quartet, is coming into its touring form. Sometimes I believe I can recognize the moment when the four of us operate as a unit, musically, emotionally, professionally and I think its happening this weekend in LA. We had some time between sets so I took some photos of the band. Here we are as I introduce us nightly: from stage left to right- Eric Montzka, Neal Alger, Michael Arnopol, Patricia Barber

October 5, 2006
Humphrey's By the Bay - San Diego, CA

Tonight in the middle of Neal's brilliant wah-wah solo section on "The Moon" I was sitting, hands off the piano, listening... resting just a few minutes before joining them with some comping. Michael was playing electrifying electric bass and Eric was being the innovative drum star he's become, and I had a flashback.  THIS is the kind of music that brought me to jazz.  Chick Corea's "Return to Forever" made me decide to choose jazz instead of classical music as a career. 
The photo:  This place is beautiful.  Our hotel, gorgeous.... We have the ocean outside our window on both sides.

 

September 21, 22, 2006
Scullers - Boston, MA

Two cities have audiences that are particularly astute and avid.  This time at Scullers, for one encore, people from the audience were calling out names of Greek mythological characters. This would never happen anywhere else except maybe Paris. We had a great time in Cambridge/Boston.  We usually do.
These are photos of the Charles River. The scullers go up and down the river all day long.

September 16, 2006
Mythologies Concert
Buntrock Room at The Symphony Center - Chicago, IL

This was just a dream come true. The venue was too small for us... Unfortunately people were turned away at the door, but other than that, we had a wonderful time. Shelby Webb Jr. and Choral Thunder are like angels carrying me to a better place; once they start singing i can feel strength coming back into my limbs. The 'kids,' who sing on "Phaeton" are not kids anymore. They, Lawrice Flowers, Mitchell Owens and Airreal Watkins, are gorgeous and dynamic young adults who sing and dance like Greek gods and goddesses. Lawrice sings the verse to "Persephone" more beautifully than I ever could and Grazyna and Paul make the chorus of "Persephone" just one big George Michael fun-fest.
Jim Gailloreto on saxophone played brilliantly in concert as he does on the recording and mostly, my quartet, Michael Arnopol on bass, Neal Alger on guitar and Eric Montzka on drums, kept the entire concert centered. Thank you to all of you. As a composer it is a pleasure to hear your compositions realized in a way that is better than you originally imagined them. I will never forget this concert and this night. Thank you to all of you.
Photos will be added as we have them.

September 12 &13, 2006
Dakota - Minneapolis, MN

The first night we had sound problems. After a few awkward moments, an old plate reverb system was hooked up. As my voice sounded 1963 to me in my monitors, everything ended up sweetly 1963.... The set list, meters and chords were all put into service toward this aesthetic. The band was brilliantly adaptive and we were all very smooth and summery.
The second night was much more what I have come to expect from this great and elegant club in Minneapolis. A wonderful two sets, a wonderful audience, a wonderful meal afterwards with wonderful staff.
The photo is from the ensuing insomnia. No particular reason I couldn't sleep... One can examine the espresso before the set or worries about other things... (Is there a lighting grid for this weekend's concert at Symphony Center?) This is just one of many midnight insomnia mirror shots. I believe I am building a lifetime chronicle. I have mirror insomnia shots going way back to NY, Seattle, Brazil, Spain, France... This is insomnia in Minneapolis.

September 1, 2006
Jazz Standard - New York, NY

 As we start the "Mythologies" tour, do people in the audience wonder why there are a surprising amount of songs with Greek mythological character references. Sometimes I explain myself, most of the time I don't. Imagine if you'd never heard jazz before.... you stumbled in after work for a drink.... you might think that jazz is an Ancient Greek music.
I miss my ensemble, the choir, the kids, the male and female singers, Lawrice Flowers on the verse of "Persephone".. I miss those pieces of the song cycle...."Persephone," "The Hours," "Phaethon."

First two sets in NY:

The Moon
S'Wonderful
Milestones
Hunger
Caravan
Morpheus
Norwegian Wood
Bumper to Bumper
The Moon
Inchworm
Orpheus
Witchcraft
Icarus
Whiteworld

 

August 7, 2006
Green Mill - Chicago, IL

  Monday night... It was crowded our last-night-in-a-long-time at the Green Mill.  My drummer Eric Montzka was on fire, obviously getting ready to tour and play big venues.  There are no dressing-rooms at the Green Mill.  I can be claustrophobic so because of the crowds there, after the set i try to get from the stage to the door and outside as quickly as possible. For some odd reason, I can sign CDs before a set, but not after... After the set I need to get away fast.  A woman stepped in front of me as I was making my way, head down, toward the door.  I tried to squeeze by her but she planted her feet and yelled, "I got divorced because of you!" Everybody was curious, so was I.  T urns out she took quite literally my lyrics for "The Fire," and as there was no passion left in her marriage, she divorced her husband.  This was less flattering and more frightening than I expected.  My songs are fiction, not advice.
   There is not enough summer left before the Mythologies tour onto which a city is added daily. I will have to circumscribe it soon.... put a stop to it.  Perhaps plant my feet and yell.  It works. 

July 20, 2006 - Teatre Mzyczny, Gdynia, Poland
July 22
, 2006 - Mt. Gretna, Pennsylvania

This is not the way most people travel, but we had booked Pennsylvania before we got a very nice offer from Poland. We decided to do both. We left Chicago, traveled to northeast Poland, ate seafood and drank wine that first jetlagged night at a hip cafe at the side of the black Baltic Sea, did a television interview and filmed concert the next night in a lovely venue.. shown here in a photo with Jay setting up the stage.
The next day we flew back to Chicago, stayed that night at the O'Hare Hilton as there wasn't time to do anything but quickly eat and sleep, jumped on a flight the next day to Harrisburg Pennsylvania and did an outdoor concert in a beautiful country spot called Mt. Gretna.
It was very hot and humid. The string instruments were rising in pitch because of the humidity so by the end of the concert, i was singing in a different key from the instruments which were one half to one whole step higher. So, so hip...

July 5th, 2006
Montreal

This is a photo of the stage at the end of soundcheck looking from my vantage point at the piano.
You can see the line of beautiful string instruments in a row and lit by rose stage lighting and just behind is the monitor booth. This is where the monitor man sits and can make sound adjustments during the show; i can see him clearly, but he is completely hidden to the audience.
One has to love these nooks and crannies about theatres, architectural aids designed to assist the performers in creating magic.
We played two sets to an enthusiastic sold-out audience in Montreal and had a wonderful time, as always.

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